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Museum grade print on premium paper

Glyptodon | 1896

Glyptodon | 1896

Regular price €20,00 EUR
Regular price Sale price €20,00 EUR
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Description

Restored from a late 19th-century scientific plate, this vintage illustration depicts the heavily armored Glyptodon (Glyptodon asper), an enormous prehistoric relative of the modern armadillo, shown moving slowly through open ground dotted with low vegetation. The composition emphasizes the creature’s massive domed carapace of tightly fitted bony scutes, stout limbs, and armored tail, reflecting Victorian interpretations of Glyptodon as a formidable, ground-dwelling mammal protected by natural armor rather than speed. Designed to evoke the appearance of an illustrated newspaper or popular science journal, the print incorporates original text reproduced from Extinct Monsters: A Popular Account of Some of the Larger Forms of Ancient Animal Life by Henry Neville Hutchinson, where these illustrations were first published in 1886. Carefully restored to preserve period typography, fine engraved textures, and tonal shading, this artwork blends early paleontological reconstruction with authentic historical text, resulting in a distinctive natural history print with a deliberate newspaper-style presentation.

 

Unframed Print

Size: A4 (297x210mm)  |  9x12" (8.3x11.7")

Material: Fine art Hahnemühle German Etching paper, 310 gsm — textured surface, warm/natural white, velvet matt finish

Printing technique: Museum-quality giclée with water-based pigment inks

 

Eco credentials

  • Water-based inks
  • Sustainably sourced paper
  • Local fulfilment to reduce carbon emissions
  • Plastic-free product

 

About the artist

Joseph Smit (1836–1929) was a Dutch natural history illustrator celebrated for his detailed and authoritative depictions of animals, both living and extinct. Working primarily in Britain, he produced engravings and lithographic plates for many leading 19th-century zoological and paleontological publications. His illustrations are noted for their clarity, anatomical care, and restrained artistry, helping to shape Victorian visual understandings of prehistoric life and the natural world.

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